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| ALVAR AALTO: MIMICING NATURE FORMS in the buildings assembly as a way to integrate with NATURE |
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| KENGO KUMA: INTRODUCTION OF LIGHT through the SKIN POROSITY provides an integration into the ENVIRONMENT |
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| ALVAR AALTO: EMULATION of the EXTERIOR by CONTROLLED LIGHT |
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| KENG KUMA: DISPERSAL and DEFRAGMENTATION resulting in the BUILDING'S ENVELOPMENT BY THE LANDSCAPE |
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| KENGO KUMA: REFLECTION as a way to create INFINITE SPACE and AMBIGUOUS BOUNDARIES and ALTERS SPATIAL AWARENESS |
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| ALVAR AALTO: RHYTHMIC arrangement of elements mimics the TACTILLITY of the FOREST |
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| ALVAR AALTO: HOLLISTIC use of SINGULAR MATERIAL heightens sense of MONUMENTALITY |
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| KENGO KUMA: HORIZONTALLY and LOW SCALE of the building complements DISCRETENESS and the INVISIBILITY of the ARCHITECTURE |
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| ALVAR AALTO: VERTICALITY of the elements stresses IMPORTANCE IN LANDSCAPE |
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| KENGO KUMA: PLACEMENT OF PLANES as a FILTER OF LIGHT |
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| ALVAR AALTO: VERTICAL FRAMING and GRANDSTEPS create CLIMATIC METHOD OF APPROACH |
Realised that my earlier concepts were closer to isometric, so I redrew them and change some others to reduce them down to five rectangles.
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